The second last colloquium being held in this semester will be presented by artist Robert Seidel on 19 Apr 2016 (Tuesday) at usual time 5:00pm in M6094 Future Cinema Studio with the topic “On Film between Painting and Sculpture”.
Date: 2016-04-19 (Tuesday)
Venue: M6094 Future Cinema Studio, 6/F, Run Run Shaw Creative Media Centre, 18 Tat Hong Avenue, Kowloon Tong
Topic: On Film between Painting and Sculpture
The Berlin-based artist Robert Seidel dissolves boundaries of genre by extending the clarity of the drawing – through the flow of painting, the spatiality of sculpture and temporal elements – into an abstract-film narrative. Besides the silver screen, conceptual, as well as real visual projection surfaces include architectural and sculptural forms.
The material for these medial interlacings frequently originates in nature and in the abstract gaze of science on nature, for example in the form of MRI images. Through subsequent deconstruction with digital tools, it becomes possible – before the eyes of the recipient – to condense these structures into a rhizomatic memory structure independent from physical space and linear time. The filmic image conserves the whole creation process in abstract-organic tableaux vivants. In the process, temporal sequences or movements become not only imagined – as frequently attempted in the history of drawing and painting – but actually represented.
Examples include the visualization of split seconds of a car crash (_grau, Bauhaus University Weimar, 2004); the painterly reinterpretation of biological processes in a façade-based projection (processes: living paintings, Phyletic Museum Jena, 2008); a virtual sculpture made of city fragments (vellum, Art Center Nabi Seoul, 2009); environmental laser drawings (magnitude, Epicenter Projects, 2015), projection-based sculptures (chiral, MOCA Taipeh, 2011 and grapheme, Museum Wiesbaden 2013) as well as a water-fountain-projections (advection, Lichtsicht-Biennale, 2013) and experimental films (scrape, 2011 and vitreous, 2015).
About the speaker:
Robert Seidel (*1977) began his studies in biology before transferring to the Bauhaus University Weimar to complete his degree in media design. His projections, installations and experimental films have been shown in numerous international festivals, as well as at galleries and museums such as the Royal Museum of Fine Arts Antwerp, ZKM Karlsruhe, Art Center Nabi Seoul, Museum of Image and Sound São Paulo and MOCA Taipei. His works have been honoured with various prizes, including the KunstFilmBiennale Cologne Honorary Award and Prize for Best Experimental Film at the Ottawa International Animation Festival. In his work Seidel is interested in pushing the boundaries of abstracted beauty through cinematographic approaches, as well as ones drawn from science. By the organic interplay of various structural, spatial and temporal concepts, he creates a continuously evolving complexity. Out of this multifaceted perspective emerges a narrative skeleton, through which viewers connects to the artwork on an evolutionary-derived and phylogenetic-fixated symbolic level. Seidel lives and works in Berlin and Jena as artist, filmmaker and curator.
To find out more about Robert Seidel, you can check out his page here.